職人とデザイナーが一緒に古作を掘り起こしアーカイブ制作を行いながら、その作業過程で継承したい技法や表現について意見交換を行い、多様な伝統技法と意匠の中から上絵を選定しました。
これらのアイテムは、近年使われなくなった「テレピン叩き」という手法に取り組んだ朱地草花文シリーズ、錦山窯の特徴である金彩を盛り上げる「金盛」の技法を使ったシリーズなど、九谷らしさが色濃く出たものとなりました。
All the items of this Shugu series are produced with particular focus on forms of wares, inviting a product designer Moritaka Yoshita. He had worked under Sori Yanagi for a long time and acquired the style to make a mock-up first and examine each form by hand. Talking with craftsmen patiently, we have approached an ideal form. In addition, the study group of overglaze paintings was launched, and there craftsmen and a designer cooperated in cleaning up and organizing past works. Through these procedures, they changed opinions which techniques or expression should be succeeded. Then design of overglaze paintings was selected from various traditional techniques and designs.
These items have a strong air of Kutani-style; botanical series on vermillion red ground with a tere-pin (turpentine oil) tapping technique, which is rather rare recently, and kinmori series with gold painted convexly, which is one of characteristics of Kinzangama Kiln.
これらのアイテムは、近年使われなくなった「テレピン叩き」という手法に取り組んだ朱地草花文シリーズ、錦山窯の特徴である金彩を盛り上げる「金盛」の技法を使ったシリーズなど、九谷らしさが色濃く出たものとなりました。
All the items of this Shugu series are produced with particular focus on forms of wares, inviting a product designer Moritaka Yoshita. He had worked under Sori Yanagi for a long time and acquired the style to make a mock-up first and examine each form by hand. Talking with craftsmen patiently, we have approached an ideal form. In addition, the study group of overglaze paintings was launched, and there craftsmen and a designer cooperated in cleaning up and organizing past works. Through these procedures, they changed opinions which techniques or expression should be succeeded. Then design of overglaze paintings was selected from various traditional techniques and designs.
These items have a strong air of Kutani-style; botanical series on vermillion red ground with a tere-pin (turpentine oil) tapping technique, which is rather rare recently, and kinmori series with gold painted convexly, which is one of characteristics of Kinzangama Kiln.
